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May 4, 2019 Grand Rapids Herald Review Article written by Jesse Davis

https://www.grandrapidsmn.com/free_press/setting-a-new-standard/article_52c9cfb0-6ddd-11e9-b5fe-7f513ef1dfb6.html

Jazzy pop trio The New Standards reinterpret four decades of pop songs with the Itasca Symphony to create a ‘new’ set of jazz standards

When you hear about an upcoming performance of the Itasca Symphony Orchestra, you might expect to read about Bach, Beethoven or Brahms.

Bowie, Beck and Brittney Spears… well, not so much.

In a wide departure from the standard symphonic repertoire, the Symphony will be performing 16 pop songs spanning four decades with the Twin Cities-based jazz-pop-rock trio The New Standards.

Pianist Chan Poling, bassist John Munson and vibraphonist Steve Roehm got together as a side project back in 2005. Poling is one of the founders of the iconic Minneapolis new-wave band The Suburbs while Munson was bassist for the chart-topping group Semisonic. Roehm, the most classically trained of the three, played percussion while studying and living in Texas with the punk outfit Billygoat and the avant-jazz Electropolis.

All three are fans of great songwriting. Sensing a lack of an interesting jazz trio repertoire beyond the usual “old standards,” they originally got together to play and sing their favorite songs – from every era, particularly post 1960s pop music – in a stripped-down acoustic setting. They make room for solos and arrangements with the freedom of jazz, yet never fully abandon the soul of pop and rock.

The genesis for this orchestral project came from the Minnesota Orchestra several years ago. The trio had not only become well known for reimagining rock and pop songs as “new standards” with a jazz trio touch, but also for their insanely popular sold-out holiday shows at the State Theatre, featuring a six-piece horn section, string quartet and harp.

The Minnesota Orchestra was actively looking to engage new, younger audiences with music that incorporated instruments of the symphony with tunes and stories that were relevant to audiences that didn’t necessarily connect to Beethoven or Mozart.

At the same time, The New Standards had a repertoire of songs that they had been looking to take to a new level of interpretation as well.

“We jumped at the opportunity,” recalls bassist John Munson. The next step was orchestration.

In 2015, Chan Poling, pianist for The New Standards, had created the music and lyrics for the musical “Glensheen” about the infamous 1977 Congdon murders at Glensheen Mansion in Duluth.

The musical, which debuted in the fall of 2015, was met with rave reviews. Much credit was given to Minnesota composer and arranger Robert Elhai, who brought Poling’s lyrics and tunes to life in a way that audiences could connect to.

Elhai was nominated for a Tony for his orchestration of the Broadway hit “The Lion King” in 1998 and has had a hand in orchestrating music for over 150 different Hollywood flicks, including “Aliens,” “Iron Man,” “Pirates of the Caribbean” and “Fast and the Furious.”

When the Minnesota Orchestra came knocking, The New Standards knew they had an ace up their sleeve with Elhai.

“We had a lot of ideas,” explains Munson, “but we really needed help putting ‘pen to paper’ to achieve the sound we wanted.” Elhai delivered.

The result was a show unlike anything ever played at Orchestra Hall in downtown Minneapolis.

Not only was there a cocktail lounge on stage, but conductor Sarah Hicks was enjoying a drink just a few songs in!

Beyond the unique set up, the most noticeable departure from the norm was the range of music performed. This wasn’t your Boston Pops kind of performance. Music from groups like New Order, The Clash, Talking Heads, Elvis Costello and even Outkast were being played with a full orchestra – one consistently ranked as one of the top 10 in the United States.

After that concert almost three years ago, the band knew they wanted to keep their creation alive. With potential grant funding available from the Minnesota State Arts Board, The New Standards set out to bring their music to Greater Minnesota… and Grand Rapids was on their list.

“They called us,” tells former ISO Executive Director Tara Makinen. “I think that speaks pretty strongly about what having a top-notch, community-supported arts venue like the Reif can do to expand artistic opportunities for our area.”

It wasn’t a done deal, though. The State Arts Board still needed to review applications and evaluate. The ISO, an organization in good standing with the Arts Board who themselves had submitted grants and vetted themselves up for the rigorous grant selection process in the past, was a major factor in getting the final approval to make this collaboration happen.

Thanks to community investment, good oversight and a lucky opportunity, the community can hear music written by some of the most popular artists of the last several decades, re-interpreted by some of Minnesota’s most innovative musicians and a world-renowned composer/orchestrator – with an orchestra full of local musicians.

This is a perfect example of how investment of time and treasure into maintaining a vibrant arts culture pays off for the Greater Itasca Community.

Whether you prefer Tchaikovsky or the Talking Heads, Prince or Puccini, this is a concert that the community shouldn’t miss. It’s Minnesota at its most innovative – and inclusive.

Experience the confluence of rock, pop, jazz, orchestral harmony and Minnesota irreverence next Saturday, May 11 at the Reif Performing Arts Center at 7:30 p.m. Read more about the individual songs in the next edition of the Herald-Review on Wednesday.

By | 2020-04-14T16:00:54-05:00 April 14th, 2020|Uncategorized|Comments Off on News

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